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Archive for October 2014

Kathi (Knife) - Double Edged!



Among the two Diwali releases, obviously ‘Kathi’ took the cake along with the cherry when it came to a grand opening, fetching maximum screens for a thunderous release, largely thanks to the successful combo of Vijay and director A.R. Murugadoss. The opening day reports about the movie was good and so decided to watch it (of course, with a grain of salt).

‘Kathi’ alias Kathiresan (Vijay) is a petty criminal who escapes from Kolkata prison and lands in Chennai. He accidentally meets his double, Jeevanantham (Vijay no. 2), who is being targeted by the goons and saves him. Soon Kathiresan switch places with Jeevanantham in order to escape prison term by fleeing from the country. Kathiresan then realizes the do-gooder in Jeevanantham and a social angle in the story kicks in, obviously turning ‘Kathi’ into a super-hero who takes down the evil force all by himself on behalf of Jeevanantham.

To put it straight - I felt really let down with a carelessly written script with an equal dose of weakly developed characters, mainly Neil Nitin Mukesh as the villain, who had ‘Amul Baby’ written all over his face and so his fate gets revealed as soon as he gets introduced. Obviously Vijay movies would be made to stick to a formula, but the success heavily rests on making the entire thing look non-formulaic. That was the missing piece here.

The main problem was the trope of employing a double role for Vijay. I am still clueless about it. One thing that came to my mind was that the backstory was revealed in parts through Kathi (Vijay no.1) with whom we travel throughout the movie. Apart from that there was a subtle character difference which was also not leveraged fully. So why take all the trouble to cast Vijay in a dual role? Also the evil plans of the villain seemed to be too easily unraveled by Kathi, and that even defies the run-of-the-mill ‘formula’ by any yardstick.

Coming back to the social angle - this time the flavour was saving agriculture and promotion of farming. Also a lot of corporate and media bashing were there. But the extent to which the problems were blown out of proportion and the ease with which everything fell in place for the protagonist was least convincing.

Also Samantha was there for some songs and a naive romance. Her role also ended with a what-would-be called an 80s heroine’s role where she is supposed to wait until the hero is released out of jail, no matter how long it takes.

Songs were ok; ‘selfie-pulla’ was double ok. Anirudh’s BGM added some meat and punch during the high-octane show-down scenes between Vijay and Neil Nithin Mukesh.

Overall, the movie is targeted at Vijay fans who would lap up every frame where their star gets to deliver in his own capacity with least botheration towards any logic. How I wish for Vijay to deliver yet another ‘Gilli’ or a ‘Thuppaki’ - I’m waiting!

Verdict: Average

Rating: 2 / 5

Yaan (Me) - What a Yawn!!



Let me start with a disclaimer - there is absolutely no harm in cinematographers directing movies. KV Anand for one is a good contemporary example who has tasted commercial success with movies like ‘Ayan’ and ‘Ko’. Cinematographer Ravi K. Chandran who has been the golden eye behind many successful commercial ventures, has donned his maiden directorial hat with ‘Yaan’. This movie is also a classic example for that which has all the ingredients for a grand product would end in a grand fiasco if the writing and execution is well below par!

Yaan is the story of a happy-go-lucky guy, Chandru (Jiiva), who falls for Sreela (Thulasi), gets trashed by Sreela’s father (Nasser) for being jobless and so pursues for a job overseas through an agent. There he gets caught for carrying drugs and that is thanks to the cunning agent and has to fight his way back to his homeland. Well, then to add some more action masala, we have an Indian terrorist in a foreign land who is waiting to get exposed by our hero (of course our hero does it single handedly). The drag continues until the director himself puts an end to it with an aide of an end card - I was seriously able to feel the director’s shaky vision, especially during the second half where nothing seemed to move in the right direction!!

The production value of the movie was high, actors were good enough, cinematography was awesome, special effects were sufficient - but everything got nullified with a very bad execution. We’ve seen so many such stories in the past - another recent example would be ‘Mariyaan’, which once again was a failure due to a dragging screenplay (even though it had a star on-screen and off-screen - don't ask me who they are?). Except, ‘Aathangara Orathil unnale’, other songs were trademark Harris Jayaraj tunes which had very little creative value. At the end of the day, only ‘Gana’ Bala seems to be the person whom one should trust in order to dish out some whippy lyrics and to keep things afloat. Such was the sad state of affairs!!

Verdict: Strictly Refrain From It!

Rating: 1 / 5

Jeeva - Cricket Politics!



In India, even something that is remotely related to the game of cricket has the potential to stoke some frenzy, thanks to the cricket crazy public who literally worship cricketers as their demi-gods. Films and media at large have always played a good part in stoking this frenzy in order to garner ample mileage. The film ‘Lagaan’, which got released more than a decade back was India’s official entry into the oscars, carried the cricket frenzy with itself throughout. Afterall the soul of the movie was good-over-evil, but cricket was a great choice to aide the cause in this case and it worked wonders at the box office too. Besides all these hype and hoopla about the game, there lies beneath a rather shady and quite disgusting politics that often gets overlooked by the public. Even though the game has evolved from leaps and bounds over the years, the politics in cricket (read it as Tamil Nadu cricket association) exists even today and a single ‘community’ believes in thrusting their stranglehold in player selection for the Ranji as depicted in this film.

Jeeva (Vishnu Vishal), a natural cricketing talent, rises up his ranks from being a street cricketer to an ace, playing for his club. When he gets selected for Ranji, ‘caste’ politics in cricket plays spoil sport, thus victimizing him and his friend. Also the story depicts the adverse effects that cricket or rather ‘cricket politics’ has on his personal life, be it losing his friend or love interest. Nevertheless the film ends on a positive note, reiterating the fact that one would be rewarded for sheer focus, perseverance and hard work.

Though the movie tried to portray a realistic picture of the petty politics in cricket, the parallel love story came across rather nonchalantly and was simply no match to Suseenthiran’s portrayal of love in his previous movies like ‘Aadhalaal Kaadhal Seiveer’. There was not a single strong link to vouch for the lead pair to get united at the end. But another story that got unfolded simultaneously which was Vishnu’s ‘guardian family’ with actor Charlie playing a lovely supporting cast was something refreshing. Soori's brief but sharp comic lines were some sort of a stress buster. Also at the end, the much criticized IPL, that is marred by controversies is shown to bail out the protagonist, which by itself was a sweet paradox!

The weakest links in the movie were the pathetically dished out and naively choreographed songs and the predictability in the screenplay. However the movie can be watched for the sheer audacity of the director to depict a sensitive but disgusting issue that has over the years have grown to an extent such that it is classified as a norm. But otherwise, considering the director’s previous attempts, this one would rank much below in terms of narrative engagement.

Verdict: Watchable, but not a must watch!

Rating: 2 / 5