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Archive for January 2014

Goli Soda (Banta) - Juvenile escapade!



Little did I expect from director Vijay Milton who debuted almost 8 years back with ‘Azhagaai Irukiraai Bayamaai Irukkirathu’ and this is only his second movie as a director. Naturally I was given warning signals by my family members for taking my fiance along with me to this movie as they found the name to be a little reprehensible. Even I kept my fingers crossed as I was not too sure of the content; all I knew was that this movie might not even make it to the theaters in Bangalore and so my best chance of watching it is when I’m in Chennai or on a pirated DVD that makes it difficult to identify the actors in the movie - so I preferred the former.

On the surface it is a story about a bunch of juveniles who lead a carefree life and earn their living as coolies in the famous ‘Koyambedu’ market. When they are pushed to the corner of the wall by their detractors, they repel like the ‘Goli Soda’ that forces itself from the bottle under pressure by knocking off the cork.

A much relieving aspect was that the director did not delve into the melodramatics of these guys who toil in the market nor did he make any qualms in showcasing the purgatory sequences that they suffer at the hands of their tormentors. But the screenplay has been such a well written one that we instantly connect with the director’s storytelling acumen. Ably assisted with scenes that unfold like vignettes, the early sequences of establishing the juveniles’ lives and other characters has been a revelation. Each of them had a unique character and that was fruitfully brought forth on screen. The character introduction of “ATM” was top class and the character arch that was associated with her was a master stroke. Also Imman Annachi as ‘Manthiravathi’ was a cool one which was more like a coolant for the smokin hot engine and Sujatha as ‘Aachi’ sealed the pack with a gift bow. ‘Naidu’ played by Madhusudhan was a well camouflaged and very well executed role.

Certain scenes that was made-to-believe like the ones where the juveniles who are scattered across the country getting united in the span of a song and avenging their detractors and making them pay for their deeds were far fetched though it can be passed off in the name of cinematic liberty.

Music by Arunagiri and Seelin (BGM) was used in order to move the story forward and merely served as a tool and so there were no numbers that can be hummed.

Editing by Anthony kept the movie to an ample length and that was its strength. Cinematography by the director himself was appealing and made the film’s flavor look even more natural.

This movie is definitely a milestone in Kollywood as there were very few instances where directors have attempted a different genre with such a cast. Usually there would be a pure love or action story, but this has love, action, comedy and sentiment in right proportions and the dash of lemon in the soda has worked!

Verdict: Good

Rating: 3 / 5

Jilla (District) - Quarantined!



Its true that Vijay redefined the masala landscape of Kollywood with his trademark punches and action formula which enabled him to breach that elusive territory that was the forte of many demigods in the past. It has undoubtedly worked for him in the past and would definitely work for him in the future as well, if only the formulaic proportion has been mixed well and executed with absolute panache (as in films like ‘Thuppakki’). This is not the first time Vijay has handed over the charge to a newbie director, he has done it in the past and one of the foremost reasons for him to do that might be that he wants to call the shots and dance to the tunes of his loyal fan base (as he perceives it). This time around debutante director Neason had to face the wrath!

Sivam (Mohan Lal) is a don in Madurai (where else?!!) and he upbrings Sakthi (Vijay) as his own son after losing his father in a violent encounter. Sakthi is Sivam’s blue eyed boy and he supports Sivam in all his illegal activities. Soon Sakthi is coerced to join the police force in order to assist Sivam in a better way. So Sakthi turns into an ACP (WTF??!!). He realizes his godfather’s unholy ways of dealing with things and so wants to reform him. Soon they both are at loggerheads with each other. A predictable climax results, but the journey that ensues was pathetic and proved to be a no-brainer even for the average viewer!

I am not able to point out even one positive thing that worked for the movie. It was riddled with liberal abuses against the service class, disintegrating moral values and the worst of all, audiences seem to relish while their favorite star is an alibi for all these things. Its time to question the rationale behind the perception of entertainment.

Only Mohanlal can be perceived as the silver lining and that is mainly due to his experience and his image as a versatile actor. Vijay seems to be all over the place and his screen presence was more of an irritant. Pradeep Rawat as an honest cop was a relief only for the very thought of being cast as one. Sampath was a stereotype but handled his role with ease. Soori was too small to handle the comic department and he is still not matured enough to handle it alone.

Music by Imman was horrible. The song ‘Kandaangi’ was hummable, other than that no song stays with us. The movie’s duration at a little over 3 hrs was tortuous and the misplacement of too many songs added to the miseries.

Though Vijay knows what works for him best, he is yet to realize that movie making cannot be restrained in a formulaic nutshell. A bane with most of the contemporary ‘wanna-be’ super-stars in Kollywood.

Verdict: Avoidable

Rating: 1 / 5

Veeram (Valor) - Garam Masala Reloaded!



Action, mass, sentiment, comedy - you name it and you get it! That’s what director Siva promises with his latest Ajith starrer ‘Veeram’. The cinematographer turned director who directed ‘Siruthai’ in Tamil earlier has also got a flurry of Telugu masala flicks to his credit which are enough credence for his reputation to promise a minimum guarantee for a mass hero like Ajith and the distributors alike.

Veeram keeps things simple and straight - a middle aged Vinayagam (Ajith) with a golden heart along with his four younger brothers leads a carefree bachelor life and believes that a woman in his life would split the family. In comes Kopperundevi (Tamannah), who by mistake steals Vinayakam’s heart, amply aided by the gimmicks of his younger brothers and Perumal (Santhaanam). The story has still got some challenges for our hero in order to wipe off the scumbags and so he takes up violence in order to restore peace for his lady love.

The first half was light-hearted and was right in the zone of Santhaanam where he made merry along with Ajith and company. It was packed with action and comedy in the right proportions keeping some measured dialogs and scenes in order to levy Ajith’s mass image to usher in the mass hysteria from his loyal fan base. That has worked out pretty well!

But the carefully laid out plan in the script for the first half was extended beyond its scope in the latter half and added to it there were some unnecessary action blocks and a few songs that prompted too many fag breaks.

There were far too many in the supporting role - among them Nasser, Thambi Ramaiah and Appukutty were recognizable. The villains - Pradeep Rawat and Atul Kulkarni, as in any mass hero's movie, were reduced to jokers, though Atul was given a relatively fierce role even though it was no match to Ajith's fiersomeness!

Technically the film was no where and it was not meant to be. The action sequences were pretty standard and fitted into the action template that has been set for such movies. Music of Devi Sri Prasad also had a template which he is adamant about changing due to dearth of creativity.

The movie though riddled with tons of logical loopholes, rehashed sentiments and is a mockery to our sensitivity, was well supported with a fast paced screenplay that entirely dwelled on Ajith’s charisma and mass appeal and comedy in the first half, thanks to Santhaanam.

Rating: 2 / 5

Verdict: Worth a Watch (Not a Must Watch)