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Archive for July 2012

Maalai Pozhudhin Mayakathilae (Dizziness in an Enchanted Evening) - Stale and Pale!


Debutant director Narayan Nagendra Rao managed to create quite a splash with his promotions for this movie thanks to the freshness in the stills and the title's font style. I expected something different as I knew the story's 'one-line' before watching it. As a matter of fact it was different, but the director made a mess of it and subsequently fell between stools.

Set in a coffee shop on a rainy evening, an aspiring and struggling film director (Aari), a high-class Bangalore based girl (Shubha phutela), an upper middle class couple who are trying to put their lives together (Balaji and Tejaswini), an ambitious writer (RS Sivaji), CafĂ©'s manager (Subbu Panchu) and two waiters were the characters that made up the entire movie. People realize the silliness and intricacies in life in a span of few hours, meanwhile our hero (Aari) wields his love towards the girl (Shubha Phutela) whom he falls head over heels at the first glance. As gross as it sounds it was even more tedious watching the entire thing unfold at a snail's space even after changing 3 or 4 seats in the theater which hosted under a dozen people. 

The script was aimless and took the least leap forward to engross anyone. Dialogues would have been penned to keep up with the subtle theme of the movie but went haywire and made hardly any sense as the movie dwindled along. There was neither a strong premise to endear nor an engaging screenplay to lap up, leaving the entire movie and the audience in dire straits. 

As far as the performances go, everyone were required to throw in their bare minimum, right from the lead actors who made their debut to Panju Subbu who promised some potential as a firm supporting cast until this fiasco. Since the scenes were artificially made up to bear a philosophical tone in the second half, the scenes which ought to mean something stood out like a sore thumb, failing to make an impression. 

Cinematography by Gopi Amarnath was the only saving grace as the lighting and the coloring in each frame has tried to elevate this stale show as far as possible and added a youth appeal to it. Songs were pictured like music albums and had surreal undertones at times. 

Music by debutant Acchu was another silver lining and the song 'En Uyire' was the pick of the lot. The BGM was above average without making much fuss. But again it was a let down due to ineffective screenplay and the placement of 5 songs in a span of 112 minutes could have been a real challenge. 

Though the editor had his job cut out at keeping the movie under 2 hours (112 minutes), sloppy screenplay and a script without substance exposed the skin and left everyone clueless. 

Rating: 1/5 

Verdict: Stay away! 

Billa 2 - Sluggish and Violent!




With a hangover from the earlier Billa (2007) there was obviously a sense of dejavu that crept in me even before watching this movie. The thought of Ajith walking (the ramp!) along with the men by his side with cool shades and dark suits gave me sleepless nights as I might be witnessing the same for the second time; but thankfully Ajith has done more than that this time around with a raw and belligerent performance that demanded very little from him in terms of effort.

Since this one is a prequel to the previous part, it traces the early life of the don, David Billa and how he climbs the ranks in the dark and gory mafia jungle. The movie had blood splashed all over it with every scene hardly passing on to the next without a stabbing or a gunshot. Although the narration had an element of conviction, there was an inherent slowness in the movie that created a rift between the movie and the audience. Apart from a few scenes with dark humor and Ajith's satirical punch dialogs which was placed at the right time, there was barely anything to lap up.

What was so convincing was that throughout the movie director Chakri Toleti did not compromise on the character of 'Billa' and continued to portray him in bad light and Ajith was right on the money.

Parvathy Omanakuttan and Bruna Abdullah were unknown names in Kollywood until the release of this movie and they would continue to be so as they just sleep walked throughout the movie with hardly any substance in their roles.

Two handsome villains, Vidyut Jamwal and Sudhanshu Pandey  added Ă©lan with their subtle yet aggressive acts.

Yog Jaypee as Ajith's partner in crime, walks with him throughout and was convincing.

Yuvan's music and BGM is already a hit and the picturization of the songs on a grand scale with R.D. Rajasekhar's cinematography had only enhanced the movie watching experience.

Editing by Suresh Urs was commendable as the movie was just 2 hours and 8 minutes in length, but the scenes were largely disconnected from one another, forestalling a smooth flow.

Though the movie lacked flamboyance even with very high production values, it can be a one-time watch for all Ajith fans as he has put up a valorous act as a baddie yet again for the third time in his career after Billa and Mankatha.

Verdict: One-time Watch

Rating: 2.5/5

PS: Lot of violence and bloodshed 

Naan Ee (I am a Fly) - Flying High!




Pretty hesitant to go for a first day first show for a dubbed movie, I refrained and made a visit to the theater yesterday only to realize that it was a bilingual and the Tamil lip sync from the actors were perfect for almost 90% of the movie. S.S. Rajamouli who has the reputation in Tollywood for directing hits like 'Mahadheera' has come up with this amusing piece of work - 'Naan Ee'. Congratulations to the director who has wielded his imagination to cast an insect which is as low as a house-fly as the protagonist with the help of some tacky animation and great packaging. 

Naani (Naani) courts Bhindhu (Samantha) and the couple are about to fall in love; in comes Sudeep (Kicha Sudeep), a lustful business man who takes pride in making women fall for him through unlawful means and kills Naani when he learns about his relationship with Samantha. Naani reincarnates as a housefly and seeks revenge. 

The director narrates the story as a voice over story-telling conversation between a father and daughter and thus manages to put forth a convincing pre-text that this is a work of fiction. Also he managed to take the traditional and proven route of revenge seeking underdog, laced with some sentimental under-currents which has been etched out well and works to the film's advantage. 

Naani, who has done an extended cameo as a 'Romeo' next door was convincing and neat. 

Samantha as Bindhu was pretty and had her expressions in place. 

Kicha Sudeep as the antagonist walks away with the winner's trophy. He was suave and menacing at the same time. Be it the scenes where he lusts over Samantha or the scenes where he is chased by the housefly, he had his own versatile show going his way. 

Last but not the least, the animated house-fly was well designed and the gimmicks performed was largely believable though over-blown at times. 

How can the Tamil flavor lack an essential ingredient - Santhaanam? A cameo from him was the cherry on the cake and please don’t leave the theater once the end credits start rolling! 

The biggest asset for the movie was the BGM and it has upgraded so many ordinary scenes to extraordinary ones. Kudos to music director Keeravani. 

Keeping it under 2 hours and 15 minutes, the editing department bags some brownie points as well, thanks to KV Rao. 

SS Sendilkumar's cinematography was laudable in terms of capturing details and pinning them down so convincingly. 

Overall, it was a convincing show with an unbelievable storyline. 

Verdict: Good Attempt! 

Rating: 3/5