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Archive for September 2012

Thaandavam (Wild Dance) - Moves Go Awry!




After a decently churned out hit in the form of 'Deivathirumagal' last summer, the combo of director A.L.Vijay and 'Chiyaan' Vikram have teamed together once again to pin all their hopes on 'Thaandavam', an action thriller that has an ensemble cast and tried to recreate the magic. As the saying goes 'Everyday is not a Sunday', which is so true at least in the case of 'Thaandavam'. Let's see why. 

The movie opens in London where a series of explosions rattle the city. A blind man Kenny (Vikram) is an orphan who plays piano in a church. During nights he turns into a killer and kills specific people upon getting information from a lady. Obviously the blind man has a past wherein he is personally affected and has lost his beloved one and so he seeks revenge against international terrorists who were behind the blasts.  

Though the story had been tried and tested for the last 2 decades right from the 'Bhaasha' days, one would at least expect the treatment to be refreshing and that is where the director has faltered big time. As with many of AL Vijay's previous ventures, this movie too had some heavily 'inspired' scenes from some Hollywood movies that looked absolutely staged. This goes to show the lack of creativity and hence the audience do not feel any impact at some critical junctures. 

Apart from that the first half moved at a snail's pace making us feel restless while the second half lacked any logic and we feel helpless. The only silver lining was that part of the flash back that showed Vikram getting married to Anushka and the adjoining scenes which was a bit refreshing. Apart from that even the twists and turns in the story could be easily guessed and there were so many movies in the past that had these clichés with various colors. Also a blind man fighting a bunch of guys single handedly using echolocation technique was a bit far fetched. 

Coming to the performances: 

Vikram - I can only feel pity for him. Such a talented actor should realize that playing roles that suit his age from now on is the only way moving forward or he should take care of the wrinkles that pop out from his cheeks in order to look convincing as a romantic hero. Though he looked ravishing with his carefully nurtured brawn, his age showed off many a times. 

Anushka was convincing and sophisticated but looked a bit aged at times which might be intentional in order to get her chemistry with Vikram. 

Amy Jackson was in most part of the first half but she had such a weak role that after sometime we tend to forget that she was in the movie. Her acting was horrible, lip sync and expressions were totally asynchronous with one another. 

Lakshmi Rai had an extended cameo and did her bit without anything special. 

Nasser, as a Srilankan Tamil police officer in London need not have been roped in for such a plain role. 
However he gave his best shot. 

Santhaanam - I guess the producers have started believing that without him there would be no luck at the box office; to be honest, even with him joining the fray, there is no luck as he had very little screen presence and has completely dried out of good humor. He badly needs a rejuvenation course as his energy levels have come down drastically. 

Jagapathi Babu from Tollywood was sort of refreshing from the run-of-the-mill high pitched antagonists and looked suave. 

Music by GV Prakash was nothing special and the songs did not make a lasting impression. 

Editing by Anthony lacked fizz and made the scenes look long and boring. 

Cinematography by Nirav Shah was pleasing for the eyes and the London streets and Sokkanathapuram greeneries and traditional houses were captured with grace and beauty. 

For Vikram, this is another disappointment on the trot. I am still hoping for him to blow away the cobwebs and choose scripts wisely in order to gain his form back. 

Verdict: Watch it on TV for Diwali! 

Rating: 2/5 

Saattai (Whip) - Another attempt at whipping the system




Recently there has been quite a few films trying to take a dig at our educational system - be it the big budget 'Nanban' or the humble 'Dhoni'. Saattai falls in line with such genre of movies. It attempted not to be too preachy but ended up being one after a futile attempt. At the same time, director Prabhu Solomon should be lauded for producing and launching such a film as his debut production and introducing debutant director Anbazhagan. 

Dhayalan (Samudhrakani), a high school teacher who wants to make a difference to the educational system by motivating and understanding the students' psyche joins a government higher secondary school in a small village near Thiruvannamalai. The school like most other government schools turns a blind eye on the student's welfare largely due to the reluctant attitude of the teachers and a management that consists of a headmaster ('Junior' Balaiah) who is helpless and an assistant headmaster ('Thambi' Ramaiah) who believes in bending the rules and dictating terms. Samudrakani brings in some refreshing changes that are obviously challenged by his detractors in the school and the rest of the story centers around the attempts at overcoming the challenges and the school as a whole emrging as a winner, thus proving that everyone in a system can make a difference with their own effort. 

Samudrakani had a meaty one after 'Easan' and was apt for this role especially with his body language and dialog delivery that resembled every bit of a small town teacher of the current generation. 

Another actor who grabbed the center stage was 'Thambi' Ramaiah who played a character with shades of grey. He rose up to the occasion whenever needed and infused some energy into the scenes and took the movie forward with his funny emotions and faulty valor that oozed arrogance and humor at the same time. He is becoming hot in Kollywood for these kind of roles which could have been bagged by actors like Nassar or Prakashraj in the past and as a result he is certainly turning the tide to his advantage. Good job! 

The supporting cast was a huge let down except for 'Junior' Balaiah who was servile and subtle as per his character's definition. The young pair of Yuvan and Mahima were average while Karuthapaandi who used to be at his best in such roles was just okay. The rest were there to fill the vacuum. 

Music by Imman for his beloved producer Prabhu Solomon could have been much better, though the melody 'Sahayane' was hummable. 

The intention of the debutant director was to convey some pertinent issues with a noble theme. He has also managed to win half the battle with the help of some interesting scenes and twists, but the other half was lost largely due to some cinematic clichés and below average performances from the supporting cast that left the overall treatment a bit flat. 

Rating: 2.5/5 

Verdict: Average 

Sundarapandian - Freshly Brewed Jigarthanda!




One of the most famous and traditional beverage in Madurai is Jigarthanda. It has multiple layers of ingredients, each adding its own flavor. I am not able to find a better anomaly to associate this beverage with Sasiskumar's latest - Sundarapandian. His assistant director, Prabhakaran's directorial debut had all the clichés of a Madurai genre movie that we had seen in the past, yet it had its fresh appeal like a glass of freshly brewed Jigarthanda that relishes your senses, at least for a while. 

Kollywood's date with Madurai and it's surroundings date back to the 80's and then it has been resurrected quite recently, especially when directors like Ameer and Sasiskumar took the plunge. With multiple directors following suite with this genre, it proved to be a safe bet for the producers too as they were able to get a minimum guarantee at B and C centers. Sundarapandian was no different as it was fast paced and engaging throughout the narrative like most of its counterparts in the past. 

Sundarapandian (Sasikuamar) is the only son of a rich landlord (Naren) and leads a happy-go-lucky life with his companions. In this movie too Sasikumar attempts to help for his friend's love and in the process gets himself entangled in a delicate situation wherein the girl starts developing an interest towards him (in fact the love is rekindled). The twists and turns thereafter causes some interesting and engrossing situations which formed the rest of the plot. The story has been peppered with commercial elements like comedy, sentiment, romance and an equal dose of violence during the climax. 

The casting, screenplay, dialogs and acting were the four pillars of the movie and on top of it all there was Sasikumar and his ever evolving performance. I can hardly remember a dull  moment during the course of the movie as the screenplay flowed smoothly interspersed with equal doses of romance and comedy. 

For Sasikumar, a lot was riding on this movie as he needed a hit very badly, since his last few movies as a director and an actor was either a flop (Eesan) or an average grosser (Poraali). Keeping this in mind he has managed to step up the ante and has also attempted to nurture a larger-than-life hero image for himself, with his trade-mark dance movements and average dialog delivery. 

Lakshmi Menon made her debut and had stars shining in her big round eyes. The heroine's role in this movie was pretty powerful and so she did more than just running around the trees. Her eyes were really expressive and radiated varied emotions that did a world of good for the scenes at large. I am waiting to see her in her upcoming 'Kumki' as well. 

The next big asset for the movie was the comic element that was inherent in the script and that department was lead by 'Parotta' Soori. He just sizzled with his timing and his one liners and the manner in which he delivered them along with the native dialect made room for genuine laughter, especially during the first half. 

Vijay Sethupathi as Sasiskumar's friend had done his bit, even though he could have done much more than just turning into a monster during the climax. 

The other members in the supporting cast like Naren, Thennavan,  Appu Kutty, friends of Sasiskumar and the ladies were handpicked with great care and the audiences' response then and there with thunderous applause stood as a testimony to it. 

Music by Raghunanthan was not great, but at the same time was not disappointing as well. The songs were placed well and it was shot engagingly adding some life to them instead of just passing muster.

Cinematography by Prem Kumar was realistic as the camera had to travel on the dry locales of Usilampatti and the surrounding areas of Madurai more often than not. At the same time, when it came to romantic scenes, it brought out the subtle and cute emotions between the lead pair that added fuel to their chemistry. 

Overall, the film can surely be watched for its entertainment factor in the first half and the action and thrill during the latter that keeps us hooked from the start till the end. 

Welcome back Sasi! 

Verdict: Go for it!

Rating: 3.5/5 

PS: Violence during the climax was a bit overboard!