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Archive for 2012

Written by Hariharan Anbazhagan in , , , , , , ,


Kumki - Call of the Wild!



Prabhu Solomon has come up with yet another slice of an episode that takes place a few hundred meters above sea level which was also the case with his last venture, Myna. In comparison with his last flick, the green is a lot greener, the twining paths have been surrounded by thicker forest locations and more importantly the village ruffians in ‘Myna’ have been replaced by some civilized tribes in ‘Kumki’. But the intensity in the emotion and the truthfulness in love remains the same, which forms the core of the movie and makes it an engaging watch.

‘Kumki’ is an elephant that is specially trained to chase away wild elephants. A village is marred by Komban (wild elephant), that threatens to ruin the lives of the villagers during the harvest season. The villagers’ attempt at seeking government intervention on this issue ends in vain and that puts them in a situation to bring in a Kumki elephant to fend off Komban’s threat to their lives. It so happens that a domesticated temple elephant (Manikam) whose mahout is Bomman (Vikram Prabhu) gets camouflaged as Kumki and is put on the driver’s seat. Bomman falls for Alli (Lakshmi Menon), daughter of the tribal leader and continues his stay to nurture his love. What happens to the love birds and Manikam’s fate is revealed with solid emotions and sufficient graphics.

The movie flows smoothly like the water in a creek with hardly any twists or turns. Throughout the movie, cinematography and re-recording stand as testimony for the hard work done by the entire team. Every frame that passes by attempted to narrate something on screen, thanks to Sukumar’s cinematography. Special mention has to be made about the spell-binding aerial shots of a waterfall where the lead pair nurture their romance. The lush locales and thick forests that were captured with a great eye for detail added to the emotional quotient of the script!

The re-recording and songs were of international standard as it brought out the aura of the script and superb montages were interspersed along with it. Music director Iman and Prabhu Solomon have really proven their rapport beyond an element of doubt for the second consecutive time.

Art direction by Vairabalan, especially the tribal village setup was natural and blended well with the storyline. It created a sense of nostalgia and rich heritage that could be sensed in certain frames.

Vikram Prabhu as the mahout of the domesticated mammal was promising for the role. He had his physique cut to shape, with a well toned body and an intense beard that was apt for grim expressions. Though it reminded me of Karthi from Paruthiveeran, this could well mean a best debut award!

Lakshmi Menon, after Sundarapandian, in only her second outing, has given another rocking performance. Once again her expressive eyes has worked to her advantage as she has to talk very little as her visual expressions narrated a few hundred emotions at a time.

Thambi Ramaiah, though only a side kick, was almost the second hero in the first half. His comedy has worked out well with his innovative one-liners emoting angst, embarrassment, grief, solace and what not! Well done!!


Among the tribal group, the man who portrayed Lakhmi’s dad and Junior Balaiyah were worth mentioning.

Editing by LVK Doss needs a special mention as he has ensured that the first half was well paced, though I had my reservations for the second half.

The downside of the movie was the predictable climax and Prabhu’s attempt at making it an impactful one with some unwanted grief in order to strike an emotional chord with the viewers. A pertinent thing that directors should understand is that their fans always do not expect and appreciate such an ending by taking a cue from the director’s previous flick. It is synonymous with appreciating the taste of a dark chocolate!

The movie could easily be classified as a one time watch for a smooth storyline with some brilliant music and cinematography that added different emotions at different times during the movie’s course.

Verdict: Good!

Rating: 3/5

Written by Hariharan Anbazhagan in , , , , , ,


Neethane En Ponvasantham (You Are My Golden Spring) - It’s Autumn!



This film garnered mounted expectations primarily due to maestro’s music and Gautham Vasudev Menon’s date with romance yet another time after he had some forgettable Bollywood and Kollywood outings (‘Ek Deewana Tha’ and ‘Nadunisi Naigal’) in the past 2 years. I am afraid that he should try and forget this one too as it can be easily passed off as the director’s most futile attempt at movie making that turned the movie on its head right from the word go.

NEP traces the romance between the lead pair of Nithya (Samantha) and Varun (Jiiva) right from their childhood until their adulthood. In all the stages, there is a breakup and reunion. A similar story-line was narrated by director Aishwarya Rajinikanth in the movie ‘3’ only a while back and so there were very many parallels that could be drawn, barring the fact that both the movies ended on a different note altogether!

There was not a single flaw that can be pointed out but there were many, including the aimless screenplay, redundant expressions from the lead pair, placement of songs, characterization and long monologues that lacked any punch or fizz. These are some samples - Samantha’s character often gets cheesed off without understanding Jiiva’s psyche and that too being a psychology student. Jiiva prepares for CAT in 2 months and gets through IIM (must be a really brilliant chap!). The movie was marketed with a tagline that ‘this could be your love story’ - but the above scenes just don't connect even with today’s youth!

Apart from that, I felt that many scenes were rehashed from ‘Vinnaithaandi Varuvaaya’ and the costumes for the lead pair - a neatly pressed T-shirt or shirt for Jiiva and a cotton kurta or saree for Samantha reminded us of so many cliches right from Gautham’s ‘Kaakha Kaakha’ days.

Santhaanam, once again was roped in for the sole purpose to rejuvenate the audience and save them from the ongoing debauchery and he had given his best shot.

The rest of the cast including Anupama Kumar and Ravi Raghavendra were used as pawns and I can only feel sorry for them.

Anthony, the editor must be the saddest guy as he would have spent hours together watching these scenes over and again and did little to make it crisp. Almost half the auditorium was empty towards the climax and I was able to see groups of people leaving the place in a huff every now and then.

Ilayaraja’s music sounded great in my iPod, but was forgettable on screen. This was the most insipid ‘song picturization’ I have ever seen for a Gautham Menon movie.

MS Prabhu and Om Prakash have done the usual wide angle, top angle and close-up shots that is a signature for most Gautham films.

Overall the movie was an attempt at soaking caramel popcorn in chocolate sauce and feeding it. Imagine the sogginess of the corn and the fate of the consumer!

Gautham, its high time that you resurrect your ‘Thuppariyum Anand’ or ‘Yohaan’ and provide a non-stop action blockbuster with a salable star in order to stay afloat!

Verdict: Stay Away!

Rating: 1.5/5

Written by Hariharan Anbazhagan in , , , , , ,


Leelai (Play) - Postcard Romance!



The movie released more than 6 months back and was shot more than 3 years back. It was lying in the cans for reasons unknown. But the music was released in August 2009 and that caught my attention. As a music lover, I relished the songs, especially ‘Oru Kili’ and ‘Jillendru Oru Kalavaram’ and was waiting for the movie to release. Finally when it made it to the screens, I was unable to find it at any of the Bangalore screens until I finally decided to stream it online. Heartfelt apologies to the producer and director for watching a pirated copy!

Directed by debutante Andrew Louis, a former assistant of S.J.Suriya, the movie was meant to target the youth as a romantic retreat with a vibrant and fresh pair and their ensuing romance. Though the story finally leans on the boy-meets-girl cliche, it has got a sweet little twist spun into it that was interesting in the first half and the same turned into a vehement divide between the lead pair during the latter. Finally, there is no prize for guessing a happy ending!

Throughout the movie the director had imbibed a romantic undercurrent with the help of rich, lively and uber cool frames that were more biased towards the urban section of the audience. Given the scenario that the lead pair were showcased as IT employees has allowed the director to take some liberties in terms of a higher budget and some eye candy sets which would have been far fetched otherwise. I was happy that an IT organization’s ambiance was established with relative conviction because some of the movies prior to this have attempted to delve into the subject and have failed (e.g. ‘Yaaradi Nee Mohini’, ‘Ishtam’).

However, I cannot help but say that the story had some blatant loopholes that were liberally used to take the movie forward. Two employees working for the same company but seated across different floors, fighting without seeing each other for most part of the movie was a far fetched justification for me. But then, the director has tried to camouflage the fact and was partly successful with the help of a fairly engaging screenplay.

The debut lead pair of Mansi Parekh and Shiv Pandit were handpicked for the right reasons - both are alien to Tamil and Kollywood and both their profile could easily be passed off as IT professionals of today who are free spirited and liberal. I liked Mansi Parekh’s acting in particular - be it the way she expresses joy, grief, surprise or irritation, her body language and eyes take her to the finishing line.

Santhaanam was obviously roped in for the right reasons and he has done a neat job as an IT employee. His one liners raised laughter and his gimmicks has worked. The only sore point was that his comedy at times appeared to deviate away from the movie.

Music by Sathish Chakravarthy was very good and his background score added to the craft of the story.

Velraj’s cinematography was another character in the movie, as it had captured every frame with a romantic strawberry flavor.

Editing by Saravanan was above average as far as the length was concerned, but if only he could have shielded the awry lip sync of the lead pair at times, it could have been good enough.

Overall, the movie passes off as a lazy Saturday afternoon one-time watch with your partner beside and some homemade popcorn or a hot ‘n’ sour soup in an airconditioned room.

Verdict: One Time Watch!

Rating: 2.5/5

Written by Hariharan Anbazhagan in , , , , , , , , , , , ,


Neer Paravai (Water Bird) - Wings Clipped!



Director Seenu Ramasamy created mild tremors across Kollywood with his last venture, ‘Thenmerku Paruvakaatru’, which was critically acclaimed and also won 3 national awards including the one for best Tamil regional film. He is back with ‘Neer Paravai’ after a year, pinning his hopes to reconnect with the audience through an emotional and social thread.

Story of ‘Neer Paravai’  is set in one of the southern coastal villages of Tamil Nadu, where people earn their living through fishing and other ocean allied activities. Arulappasamy (Vishnu) is a drunkard and good for nothing who is being hated by the villagers for his conning acts to snatch a few bucks for a peg or two. Upon meeting Esther(Sunaina), he turns into a new leaf and falls for her. He also makes rapid strides in his life, marries Esther and leads a happy life until he meets his fate. The entire story gets narrated in a flashback by the older Esther (Nandita Das).

With sea as its motif, the story nudges at a snail’s pace from the beginning till the end. All along there was hardly a moment to revere or rejoice. The initial suspense that was created was held tight till the climax, but once it gets revealed, we feel like kicking ourselves.

Pertinent issues like the violence against Indian fishermen and Srilankan refugee rehabilitation have been very much a part of the story, but the fickleness with which they were handled made it sound like a warning from a shrill voice.

Among the lead pair, Sunaina looked rusty without makeup and did justice as the young Esther. Vishnu was just okay for the role and his performance was not great.

Among the supporting cast, Samudirakani has delivered a matured performance and his idealistic talks every now and then about the fishermen’s plight was the silver lining for this confused theme.

Saranya, who won the national award in Seenu Ramasamy’s last venture has set herself into the mould and has given her usual performance which was nothing short of good.

‘Poo’ Ram as Vishnu’s father was another silent performer who conveyed emotions through silence and minimal expressions.

Nandita Das as the older Esther had an extended cameo, but her presence hardly created an impact as the movie already slipped into a sobbing soap opera by then.

Azhagam Perumal as the lively priest made his presence felt with his linguistic mastery over the local Tamil dialect.


Thambi Ramaiah who is currently making merry in Kollywood in the support department has been wasted and his presence could easily be forgotten.

Music by Raghunanthan was average and the background score managed to lift the film at times.

Balasubramaniem’s camera had captured the ocean and the adjoining lands with all its glory.

Editing was amateurish as in many scenes the lip sync went awry and there were some continuity issues that can be felt.

The ‘Neithal’ landscape (land that adjoins the ocean) as depicted in the Tamil Sangam literature has been metaphorically lifted to convey the emotions of the lady who is waiting for her man to return from sea after a rough day. Had the screenplay, acting and music worked, this would have been at least a decent watch.

Verdict: Boring!

Rating: 2/5

Written by Hariharan Anbazhagan in , , , , ,


Life of Pi - Life is Beautiful!



Rs.550 per ticket for this movie at the PVR IMAX 3D made me feel quite whacky before entering the auditorium. As soon as I entered, I was drawn immediately by the biggest screen that was mounted in there that reminded me of the Singapore IMAX experience that I enjoyed with my parents more than 15 years back when I was in highschool when IMAX was a luxury even in Singapore. After immersing myself in the PVR IMAX experience for a little over 2 hours, I was one among the many happy faces who walked out in glee.

More about the movie and the IMAX experience:

The story of Life of Pi as told by the protagonist Pi (Irfan Khan) to a novelist is about the greatest adventure in his life where he had to survive a shipwreck and spend some life changing moments with a fierce Bengal tiger on a lifeboat for a brief period of time.

The story shares very many metaphorical connotations with life like survival, breaking the barrier, confidence, facing destiny, accepting pain and many such things. Though it appears to be a long journey, the director engaged the viewers with brilliant special effects and an engaging script.

The special effects including the tiger that was graphically created like the rest of the animals, the shipwreck, storm, fish and other creatures in the ocean and the creatures in the abandoned island were amazing. The finer details have been worked out well and there were hardly any flaws in the technical department like camera and sound mixing. At times we feel that we are stranded in the middle of an ocean with a wild tiger staring at us.

The awesome visuals was amply complemented with equally good acting. Suraj Sharma as the young Pi was convincing and emoted well. Tabhu and Irfan Khan in supporting roles were equally impressive but had limited screen presence.

The IMAX experience once again was top class and this movie has to be enjoyed at least in 3D. Sometimes it feels like the characters tend to stick out their heads from the screen and we can almost touch them. Overall experience was terrific and I have no regrets for the money spent!

The man in charge, director Ang Lee, deserves an Oscar and nothing less than that, especially for choosing such a script and executing it with craft and class with the help of state of the art special effects and stunning visuals.

Kudos to the R&H Visual effects team and music director Mychael Danna (special thanks for the melodious Tamil title song).

Verdict: Watch it in 3D IMAX

Rating: 3.5/5

Written by Hariharan Anbazhagan in , , , , , ,


Naduvula Konjam Pakkatha Kaanom (Some Pages Missing In-between) - 'Ghajini' With a Clown’s Hat!



I can remember the last time when I had a heartfelt laughter throughout a movie and that was while watching ‘Boss Engira Bhaskaran’ and the one before that can be credited for the movie ‘Friends’. Although Tamil cinema is riddled with comedy capers every now and then, an element of intelligence laced with a genuinely humorous script are few and far between. Now the latest sensation in such a genre is Naduvula Konjam Pakkatha Kaanom directed by debutante Balaji Tharaneetharan.

A couple of days before his marriage, Premkumar (Vijay Sethupathi) meets with a strange accident that leaves his memory (medulla oblongata) in dire straits. As a result, he forgets the happenings in his life in the past one year while still retaining the ones he has known from his birth. The story moves around him and his three friends (Balaji, Baks and Saras) who help him get married without his parents, in-laws and the bride coming to know about the fact.

The director mentioned that the story was based on a real life incident that took place in the life of the movie’s cameraman, Premkumar (and thus the protagonist’s name). This was clearly evident from the fact that the movie had very many genuinely funny and deceitful knots in the script that was so skilfully handled, making it an intelligent laugh riot.

There were many positives that made this movie distinguishable:
1.   The budget must have been very minimal as there were no extravagant songs or
chase sequences and hardly any familiar names in the acting as well as the technical departments
2.   There were no crude dialogs or jokes or sleazy item numbers
3.   The script moved ahead with a focus throughout
4.   Excellent casting and characterization that today’s youth can relate with
5.   Subtle nuances in acting (especially in expressions) from fresh faces
6.   Intelligent script

Casting fresh faces and extracting the right emotions to make the comedy work would have been the greatest challenge for the director and that is where he has scored. Many scenes worked just because of the timing and the expressions of the characters and there were hardly any dialogs. The other major challenge was to maintain the comic tempo always on a high as there was a serious scenario that prevailed in the plot that would have easily pushed the movie into a melodramatic escapade. The challenges were handled with panache with equal finesse in the script.

Vijay Sethupathi as Premkumar was top notch. He was the only known face in the movie and this one makes it three in a trot for him after Sundarapadian and Pizza. Keep it up and way to go!

Bagavathy Perumal as ‘Baks’ was one of the three clowns who entertained with his pseudo intellectual talks that often gets backfired towards him.

Vigneswaran as Saras, depicted as the practical and wiser of the three, does a great job when the going gets tough.

Rajkumar as Balaji was portrayed as the naivest of the three and he served as an essential element in order to complete the full circle. His naïve and innocent remarks at various points kept us in splits and towards the climax he was on a comic rampage with his timid expressions and artificially made up valour.

Gayatri as Dhanalakshmi was supposed to be the heroine, but her introduction came only towards the end and she was there only for the script’s necessity and completeness.

The other major asset for the movie was the BGM scored by Siddharth Vipin. A lot many times, the BGM acted as a character and etched out the comic moments very well. There was only one song during the film's title credits and one more promotional song post interval.

Cinematography, handled by the real life protagonist, Premkumar, painted the movie with natural light. Numerous close-ups, wide angle and mid shots were used in order to induce a feeling that the movie was happening next door.

Editing by Govindaraj was a tad disappointing in the sense that the movie could have been trimmed by 15 more minutes and that would have made it a racier one! Also the theme song (promotional video) that was played post interval could have been easily scissored as it stood out like a sore thumb!

On the whole, the movie was a triumph for great script writing skills and an outstanding cast.

Verdict: Must watch (with a bunch of friends)!

Rating: 3.5/5

Written by Hariharan Anbazhagan in , , , , , , , , , ,


English Vinglish - Hitting the Right Notes!



I know this movie is 2 months old and only today I happen to watch the dubbed Tamil version of it online. I feel that I did a wise thing, else I would have missed out on a brilliant movie that was simple, heart warming and yet radiated some pertinent vibes that augurs well with the current domestic setup.

Gauri Shinde directed English Vinglish narrates the story of Sashi (Sridevi) who wages a daily battle in coping up with her ignorance of English language through familial pressures like her daughter looking down upon her and her husband treating her as an innocent and ignorant doll. These pressures become more pronounced and assumes mammoth proportions when she travels to the US to attend her niece’s wedding. Sashi decides to fend them all by attending an English Coaching Class in New York, which allows her to make brisk and confident strides from then on.

In the larger context of the movie, English was used as a tool to convey the day-to-day agony of a demure and conservative Indian housewife for whom family priorities would always top the chart. The movie’s triumph was in capturing the volatile emotions of ‘Sashi’ (Sridevi) with a sweet and simple narration that pulls our heartstrings many a times. Also, the inherent humor in the script has helped the movie reach across to a wider group of audience.

Sridevi - I am not a great fan of her, but this role was made memorable with her dim-witted yet powerful performance that was down-to-earth and charming. She had her emotions at the right place - be it her penchant for making ‘ladoos’ or her suppressed agony of being looked down upon by her husband and her daughter or her quick realization and redemption from falling for someone who woos her even after knowing that she is the mother of two. A good comeback vehicle for the veteran.

The supporting cast including Priya Anand, Mehdi Nebbou, Adil Hussain, Sujata Kumar, Neelu Sodhi and others rendered a natural performance that helped the movie attain its peak at times.

The pupil in the English Coaching Class need a special mention - be it the amorous Pakistani Taxi Driver, the Mexican baby sitter, a Chinese hair stylist, an African gay lad, a French cook and last but not the least, a typically Tamil software engineer - all adding different colors to the humor quotient and tickle our nerves at various junctures.

As an icing on the cake, there was Ajith in a guest appearance for the Tamil version. His stay on screen was brief but effective.


Music and BGM by Amit Trivedi helped in establishing a connect with the audience and also helped in maintaining the tempo in the narrative. Good job.

Editing by the female editor Hemanti Sarkar was brilliant and the viewer was not able to feel any lag or boredom during the course and ended up with the right length

Cinematography by Laxman Utekar was top class - be it the indoors that were well lit or the flamboyant New York streets - the camera was easy and gentle on the eyes.

Though this movie was heavily targeted at the classes, a very pertinent issue has been taken up and addressed in a very affable way that was convincing by a mile.

Verdict: Get your DVD copy as soon as it releases!

Rating: 4/5

Written by Hariharan Anbazhagan in , , , , , , , , , ,


Poda Podi - Minty Cool!



Simbhu is back with Poda Podi for this Diwali after rumors did some rounds that the movie had been shelved. Directed by debutante Vignesh Shivan, it marks the debut of another star daughter Varalaxmi or Varu, daughter of Sarathkumar.

Poda Podi has been shot in the form of swanky vignettes in the life of Arjun and Nisha who live in London. It further delved into their love life, their conflict of interest, marriage, child, separation and a reunion with a cliched climax.

For me three things stood out in this movie:

1. The scenes between Simbhu and Varu seemed as if it was shot with a candid camera as their chemistry was brought out well.


2. Varalaxmi, though well built with a tinge of masculine features, is a natural performer. Since she had dubbed with her own voice, she was able to bring out the right emotions as that of an NRI London girl. As she has been trained in salsa, it was great to see her make the moves on screen.


3. The intrinsic humor in the script

This movie can be classified as a ‘coming of age’ genre wherein there is a space to discuss things that were considered taboo otherwise like sex and other domestic relationships. Also the place in which the story took place - London - created that ambiance and luxury for the script.

The humor in the script was few and far between but it was well handled by the lead pair of Simbu and Varu while bumping against Simbhu’s favorite ‘VTV’ Ganesh.

Shobhana as the vixen aunt of Varu infused arrogance with her attitude and carried herself elegantly.

Music by Dharan was above average, editing by Anthony was crisp for this story as it was wrapped well under 2 hours and cinematography by Duncan Telford, the foreign cinematographer, was tidy.

The only disappointment was that there were no major twists and turns and the entire movie was minty cool with a cliched climax and could be enjoyed on a late Saturday afternoon with some quality time at our disposal.

Verdict: Coming of Age Rom-Com

Rating: 3/5

Written by Hariharan Anbazhagan in , , , , , , , , ,


Thuppaki (Gun) - Firing On All Cylinders!





Last Diwali was a fiasco of sorts for director A.R.Murugadoss as his 7am Arivu hardly created any ripple across the TN box office. This Diwali I was keeping my fingers crossed as he had teamed up with none other than the box office king 'Ilayathalapathy' Vijay whose movies had enjoyed a minimum guarantee at the box office till date. But the intriguing part here is that both of them have had a track record of churning out flops when the hype is ripe. After watching Thuppaki, I was taken by surprise as both of them have realized their strengths and have fired on all cylinders. Let's see how...

Jagdish, a soldier from the Indian Army returns home for vacation to join his family in Mumbai and also to find his soul mate. On course he encounters a terrorist plot to rattle Mumbai and he unfolds it with ease. Things get complicated when the terrorist kingpin decides to take on Jagdish and make him pay for what he did. Did Jagdish really pay a price and if so with what? 

Well, it was a formulaic Vijay movie that was targeted at the masses, but was chicly packed and freshly presented on screen despite some notable flaws. 

Vijay looked ravishing and younger. His toned down body and brawn added to his character that was more in line with a 'Dirt Harry' cop attitude and eliminates the baddies cold bloodedly without a second thought. 

Kajal Agarwal had a stereotypical role as that of a bubbly girl, but again here the treatment for her character was different and her chemistry with Vijay worked like a charm. The romantic interludes and duets were in perfect sync. Understandably we might be witnessing her in Vijay's  future projects as well. 

Sathyan as Vijay's sidekick did his bit to advance the proceedings, although there was not much scope for him in the comedy department as it was shared well between Vijay, Jayaram and Kajal. 

Jayaram was a surprise element in the movie and he was used as the comic catalyst in various scenes to bring the house down and his combination with Vijay and Kajal was rib tickling. 

Vidyut Jamwal as the terrorist kingpin had nothing special to offer and had a cold expression throughout and managed some gimmicks during the climax. 

All other characters including the girls who played Vijay's sisters were handpicked to add to the uber-cool urban feel of the movie. 

Music by Harris Jayaraj was average, but the 'Google' song caught the frenzy of the audience. 

Editor Sreekar Prasad had placed his scissors at the right places and made the movie look racy. 

Cinematography by ace cameraman Santhosh Sivan was neat and frames did the talking many a times. 

One more thing I noticed was that the terrorists who were depicted to be from the northern part of India were conversing in Hindi unlike other movies where they converse in Tamil with a camouflaged North Indian accent, except during the climax wherein the antagonist had to mouth an elongated dialog. 

Some notable flaws as mentioned before was the clichéd one man army portrayal of Vijay, dumb terrorists and plans that fall in place like a row of neatly arranged dominos. 

Despite all these minor flaws, the coming together of bigwigs like A.R.Murugadoss, Vijay, Sreekar Prasad, Santosh Sivan, Harris Jayaraj and producer Thanu, after mounting sky high expectations for this movie has ultimately paid off with rich dividends making it the clear winner at the box office by a long distance for this Diwali. 

Another interesting fact - I visited the theater thrice - first time the ticket cost was Rs.500, second time it was Rs.400 and the third time it was Rs.200. I bought it only the third time for Rs.200 and so want to do a small cost justification: 

For A.R.Murugadoss's Direction and Screen Play - Rs.50 
For Vijay's acting and Screen Presence - Rs.50 
For the chemistry between Kajal and Vijay - Rs. 50 
For a Perfect Diwali Treat - Rs.50 

Verdict: Perfect Diwali Treat! 

Rating: 3.5/5