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Archive for July 2014

Velai Illa Pattathari (Unemployed Graduate) - Cliched Errands!



We've tasted different flavors of Dhanush in the past, but the base layer of his character has hardly changed. Dhanush’s basic profile as that of a crude boy next-door who can hardly manage a few words in English, who is easy-go-lucky, as that of a non-starter whose escapades would make us laugh in the first half and his rise to power in the latter would usher in the mass elements, as that of a hopeless son, as that of a ridiculous boy-friend - in short he is made for such roles as that of an underdog. It has been exploited so much so that it makes one sick of seeing this guy cast in any one of these roles or a role that has all of these cliches pinned together! But the underlying actor in him has evolved over the years which makes his films watchable and that is also the only factor that still lets him hang around in the industry despite him treading on thin ice for a long time now!!

We are given an introduction about Raghuvaran (Dhanush) in his own voice on how he is finding it difficult to get a job that suits his qualification as that of a civil engineer. He doesn't want to settle for just-another-job but is focused on getting one that has always been his dream. So he whiles away his time by sitting idle at home, watching mega serials, dropping his younger brother to office, hanging around with friends - in short, unemployed. He successfully resists peer pressure and bites the bullet whenever his ego gets hammered by his doting father (Samuthirakani in a refreshing role). He then lands upon a job that he has always loved due to certain circumstantial outcomes. While trying to prove himself, he is faced with a new set of challenges which he has to defend with his brawns more than his brains. So there we have our mass hero who kicks thugs, lights a fag and challenges the bad guy who has been purposefully cast as an upmarket spoilt brat!!

Being his 25th film, we can sense the desperation in Dhanush to churn out a hit badly, especially given the fact that his past few films have been turkeys at the BO! Every scene that he appears has him either say something pulpy or him smoking the screen (most of the times literally). Predictably little did he do to woo his neighborhood beauty Dr.Shalini (Amala Paul), who incidentally earns 2 lakhs per month. ‘Why’ is the question that is prohibited here! Also the cliched mother sentiment with Saranya has been roped in to give that ‘what would he do now’ question in the audience’s minds during the interval block. A young and dumb villain who dons the role of a spoilt brat is made to subvert time and again before our mass hero. Thankfully the narrative was steady paced and did not have any room for melodrama. Vivek’s subtle gestures and body language was well placed and did not go overboard!

Music by Anirudh has worked - ‘Po Indru Neeyaga’ was my pick and was picturized in a lively way with earthy montage shots. BGM was also good. Cinematography by the director himself, Velraj, was supportive for the narrative and there was nothing extraordinary.

The movie despite having all these weaknesses has worked out to a certain extent due to its overall packaging, but has gone overboard with it as too many elements were thrusted that lacked logic and substance and that also includes Dhanush’s revelation of his bare top that’s devoid of any muscular elements during that last “big fight” that is quintessential for any masala movie worth its salt. Where am I to search for a ‘Karuppu’ from Aadukalam or ‘Kokki Kumar’ from Pudhupettai or that elusive psychopath ‘Vinoth’ from Kadhal Konden. Actor Dhanush, where are you? Please raise your hand!!

Verdict: Below Average!

Rating: 2 / 5

Arima Nambi (Lion Heart) - Hollywood Anaesthesia!




When a Tamil film touts to be an upmarket, stylish and suave action romantic thriller, the first thing that it would do is to heavily borrow those quintessential elements from the Hollywood sweat shop that has over the years mastered the art and is making a living out of it. Arima Nambi too does the same with debutante director Anand Shankar roping in every possible ‘Hollywood-like’ elements in order to chart out a desi action thriller, but thankfully he saw to that the script was fast paced and engaging even though it defied logic.

Arjun Krishna (Vikram Prabhu) is an urban youth who falls in love with Anamika Raghunath (Priya Anand) when he first sees her at a pub! Over a period of a song, they become acquainted and exchange numbers. Soon they decide to meet on a first date, where both get drunk and since Anamika likes to have more booze, they decide to go to Anamika’s place to fetch some vodka (!?) There things go awry when Anamika gets kidnapped leaving Arjun in a helpless situation. Arjun takes on the evil forces behind the kidnapping with his brains and brawns to come out with flying colors!!

On the outset it looks like a tried and tested template for a fast paced action masala movie and no doubt that it is one. But what sets aside this movie from such past attempts were the gimmicky execution that demanded the Hollywood-like grandeur and the tactical underpinnings in the script that made it run on hot wheels! Constantly we are given doses of some tech-worthy jargons like social networking, IP address, Sim-tracing, etc. which adds to the trendy facade of the movie.

Some of the other elements like the first meeting of the lead pair at an upmarket pub (Hard Rock Cafe) where the hero pulls the guitar strings to woo the lady love and then his love interest reciprocating for that is not a norm in Kollywood, but nevertheless one should concede that it places some faux pas at times - we are watching a Tamil movie and to usher in that Hollywood morale, one need not just pull the guitar strings and break into a frenzy! It was pretty disappointing!! (But strangely I didn’t feel the same when a similar scene was staged in Aayitha Ezhuthu during the Siddharth -Trisha episode - maybe because it was a tad more subtle and classy?).

Vikram Prabhu, the hulk who made an impact in Kumki, somehow seemed to lose his way in Ivan Vera Maathiri, but now he looked dashing and was looking completely in control on what he was expected to deliver. But I feel somewhere he needs to start experimenting with his characterization as he may soon find himself treading on thin ice if he continues in this fashion and also his scope would be limited. Other noteworthy characters are that of M.S Bhaskar as SI Arumugam and J.D. Chakravarthy as the evil minister.

Music by ‘Drums’ Sivamani who is making his debut as a music director was not impressive, but the BGM seemed to keep pace with the narrative. R.D. Rajasekhar’s cinematography largely focuses on the grandeur aspect of the script but rocks the screen too often than not, resulting in a mild migraine. The movie at 2 hours and 30 minutes in length felt a bit too lengthy especially towards the climax. A tighter finish would have augered well for the packaging at large.

The biggest setback however seemed to be the defiance of logic and also the banal way in which the protagonist is shown as a one-man-army! But thanks to a fast and engaging narrative, the audience are given an anesthesia that puts them to sleep for a while such that they realize their ticket’s worth only after the show is over!

Verdict: Worth a Watch!!

Rating: 2.5 / 5

Saivam (Vegetarian) - Vegan Morals!



A simple story with an earthy charm has always been a risky proposition for the producers and directors alike especially in recent times where Kollywood’s box office success has been attributed with petty metrics like the presence of star celebrities who command a grand opening or with an item number sung by a star kid and features a yesteryear pornstar or with other mass elements that have become inevitable to sell whatever content that gets churned out in the name of entertainment! ‘Saivam’ directed by A.L.Vijay is an offbeat family drama that carries the inherent risk of being chased out of the box office without a trace as it doesn't have any of the inevitables as mentioned above. The director has to be lauded for choosing such an offbeat subject (especially given his past record of films) by firmly putting his foot forward to convey a simple story without making any commercial compromises!

Saivam narrates the story of a little girl Tamizhselvi (Sarah) who shares a special bond with a rooster that is destined to be butchered and offered to the ancestral deity of her family. She hides the rooster from her family members and what ensues from then on was unwound as an engaging family drama. The backbone of the movie was the ensemble of characters who were cast as the family members. Keeping up with the ‘chettinad’ traditions which the director could easily relate to, he has managed to pull off an authentic ethos that reflects the traits flawlessly!

The key was that the director established the familial knots flawlessly - the equations between different members of the family, be it the hopelessness of the childless couple or the effervescent romance between the couple or the spoilt brat’s impish escapades, the brothers’ bitter battle to woo their uncle’s daughter - all had some witty and emotional quotients bound together in order to make the audience buy into the narrative. Nassar’s character as that of the family head was obviously a well chalked out plan as it needed an experienced campaigner to handle it without much qualms and Nassar delivered it without a blemish. Child artist Sarah did not have much to perform when compared to her role in Deivathirumagal but she managed to pull off whatever was necessary.

The technicalities were top notch, especially cinematography by Nirav Shah was pleasing to the eyes. Music by G.V.P was brilliant and the much expected ‘Azhage’ song was picturized beautifully such that it added a flavour to the dramatic narration.

On the downside the story had so many over-the-top melodrama which was unnecessary and a core non-vegetarian family transforming into vegans due to a little girl’s love for a rooster was a far fetched imagination but nevertheless has been played out well on screen largely due to the underlying familial sentiments that drew an engaging drama.

Saivam is no doubt an important movie in Kollywood in recent times and encouraging such novel and ethnic attempts would go a long way in beefing up Kollywood’s neo noir arsenal!

Verdict: Good


Rating: 3 / 5