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Archive for December 2011

Rajapattai (King’s Path) – Filled with potholes and stumbling blocks all the way!



With master actors like Vikram and K.Viswanath, reputed technicians like music director Yuvan and cameraman Madhie and last but not the least, with a talented director like Suseendiran who made his mark with a movie like ‘Vennila Kabadi Kuzhu’, a natural thought is sure to creep in that we are all set for an extravaganza in the name of “Rajapattai”. The reality was somehow bleak and proves yet again that directors should play to their strengths. Let’s see why?

Story of Rajapattai was wafer thin and was all about land mafia. Vikram earns his living as a gym boy in movies who aspires to make it big in the silver screen by donning a villain’s role someday. He happens to criss-cross with the land mafia gang when K.Viswanath gets entangled into it because of his own son’s greed to achieve his political motives. The rest of the movie deals with the showdown between the good and the bad.

The intention of the entire team would have been to make the 2:45 hour long movie a fun and rollicking experience. Sadly, they missed the bus when it came to screen play and dialogs, which forms the essence of a commercial mass masala movie. There were hardly any scenes which garnered applause from the audiences. Some big time booing went on during the romance scenes between Deeksha Seth and Vikram, which was numb.

Vikram with his brawny look, freaky costumes and bizarre hairstyle had once again taken the responsibility of carrying the entire movie on his shoulders. No wonder he had a great screen presence which made the movie watchable. He had given 100% as always to the character he portrayed and sported an authentic ‘gym boy’ look. His age showed off many a times during the course of the movie, especially during the romantic interludes.

Deeksha Seth was pleasant to watch on screen, but her chemistry with Vikram sadly failed and fell flat. She had very little scope and sported the run-of-the-mill heroine’s hat.

K.Viswanath, though he brought in all his experience, was reduced to a caricature and had been wasted thoroughly. An actor like ‘Delhi’ Ganesh would have done justice to such a role as it demanded some comic elements to put in place.

Sana debuted as the antagonist, ‘akka’, fitted the role to a tee and oozed pride and hate through her eyes.
Others in the cast including ‘Thambi Ramaiah’ have tried their best to make us laugh, but the screenplay hardly provides any room for some genuine laughter.

Yuvan’s music failed to impress this time. There were no hummable numbers and I still cannot understand the reason of placing the double heroine number while the climax credit rolled on.

The action sequences were well choreographed and shot in a novel way.

Suseendiran’s strengths are his taut and slick way of presenting his story which made him successful in the past. This clearly goes to show that directors can easily fall into the traps of fantasy when it comes to making a mass masala commercial entertainer which requires meticulous planning and precise execution. Better luck next time!

Verdict: Disappointing!


Rating
: 1.5/5

Osthe – Adding nonsense to our senses!




Salman Khan’s Dabangg, which took the Bollywood box office by storm a while back, has been remade as ‘Osthe’ in Tamil with the help of a Kollywood director, Dharani, who has got a couple of mass masala hits under his belt and the ever enterprising ‘Simbhu’ donning the role of ‘Osthe Velan‘, the robin-hood like cop role that was made memorable by Salman in the Hindi version.

Story was as simple as ‘Jack and Jill, went up the hill…’ without any logic and some major flaws which was enough to pull the movie back.

A major blunder could have been avoided by not casting Sonu Sood as the antagonist in Tamil, who played the same role in the Hindi version too. The tall hunk he is, Sonu just dwarfed Simbhu physically during the confrontation scenes.

Although we have tolerated Simbhu beating a bunch of henchmen onscreen and donning the role of a mass masala hero in the past, this was the first time he donned the role of a cop and tried hard to fit in the skin of the role, but failed to impress. Though his attitude and body language got going, his physique let him down and we were reminded of a college kid wearing a cop uniform for the fancy dress competition. Especially during the climax where he was supposed to reveal his hardly built 6 packs, he got himself unconsciously pitched against Sonu Sood’s natural brawn and gets thoroughly spoofed in the process. Tough luck Simbhu!

Richa, had a cardboard look throughout the movie and a ‘Mayakkam Enna’ hangover and hardly managed to smile even during the song sequences. She looked much elder to Simbhu.

One of the major saving graces was Santhanam’s buffoonery and one-liners which made room for some genuine fun and laughter, even though crude at times.

‘Jithan’ Ramesh, Nasser and Revathi were there to add some melodrama at various stages during the mindless proceedings. For ‘Jithan’ Ramesh, considering his previous records, this is by far a role where he has tried to act.

Others in the cast like Vijayakumar, Vaiyapuri, Mayilsami and Thambi Ramaiah were lost in a wink and were used merely for heaping praises on ‘Osthe Velan’. Among the second string of actors, Ganesh as Richa’s drunkard father had delivered a decent performance.

Music by Thaman was a highlight. The numbers ‘Unnale’ and ‘Neduvali’ were hummable, while ‘Kalasala’ which was the ‘Munni’ equivalent in Tamil would be the favourite among the front benchers.

Osthe is for the ones who can appreciate Dhoni’s unconventional ‘helicopter shot’ and Dravid’s technically perfect ‘on-drive’ on par, though both might yield different results at different point in time.


Verdict: Mass Masala Torture!

Rating: 1/5 

Poraali (Fighter) – A tough fight till the end!




The duo of Samudrakani and Sasikumar are back. This time the latter dons the protagonist’s hat and Samudrakani wields the direction. Poraali attempts to be an entertaining, fun filled and action packed emotional flick epitomizing optimistic traits throughout the movie.

Ilankumaran (Sasikumar) and Nallavan (Allari Naresh) are shown escaping from an asylum and are trying to lead a peaceful life in Chennai with the help of their friend Pullikutty (Kanja Karuppu). Soon they kick start a venture and with their acumen in place expand the same to establish themselves. A twist in the tale comes in the form of their haunting past and the rest of the movie post interval shows how the duo overcome the challenges and face the consequences.

Sasikumar, with his charismatic appeal pulls the strings together and delivers a matured performance. His sense of humour with intelligent one-liners stands out to showcase his ability to bring down the house and looked perilous during the action sequences as well. He radiates optimism throughout the movie which comes as a breath of fresh air down our shoulders, especially at times when the screenplay sags a bit. Overall, it’s a tidy and belligerent performance.

Allari Naresh, after ‘Kurumbu’ in 2003, this is his re-entry in Tamil. Has got little scope to showcase whatever he has to perform and looks apt for the character that he portrayed.

Swathi as Sasikumar’s love interest looked cute and brought out the cute emotions whenever needed, though she had hardly anything to do.

Nivetha, the debut actress looked pretty and conveyed the agony and helplessness through her eyes. But one cannot avoid the thought that she could have been done away with and was thrust into the story only to be paired with Allari Naresh.

Kanja Karuppu, this time had pulled a decent act. He was calm when he needed to be and hardly shouted and jumped in any of the scenes, which came out as a relief.

The other characters that were cast, especially the neighbours in the residential area, though dramatic at times, were cast thoughtfully. Off the lot, the boozy bachelor and the squeaky couple stood out.

The highlights in the second half were Vasundra’s extended cameo as the rusty village lass and Soori’s run of the mill comic punch line. Both managed to deliver in their own capacity.

Sundar C Babu’s music was a big let-down and not even a single number stood out as a hummable one. The BGM was worse and proved to be a setback for the proceedings.

Overall, the movie is well worth the effort from the successful combo yet again.

Verdict: Good

Rating: 3/5